'Lost': Letters from the Flame, Volume 8.2
OK, as promised, here's the second half of this week's "Letters from the Flame." It's only question, but it's a rather long answer, but the question necessitated such a response. And let's be honest: it's not like it's a chore for me to drop a few thousand words about Lost on a weeknight. It's kinda sorta what I do. I know my mother would prefer "surgery" to be the thing I do, but life's full of disappointments, sadly.
Here's the final question of the week:
Most people agree that by trimming the fat out of Season 4 and just telling the essentials, the storytelling got a much needed kick in the ass. So based on the shorter episode orders (let's say 16 or 17), what are the six or so episodes from each of the first three seasons that could easily be pulled out to make those seasons tighter?
Sambob
This might be one of the all-time great question on "Letters from the Flame," because not only is it a pretty original one, but gives me the excuse to pour over all the episodes and make countless lists instead of conversing with fellow human beings. So this is right up my alley.
Now, before giving my lists, let me just clarify that in cutting these episodes, I assume absolutely vital character/mythology information would be doled out in subsequent episodes. There are a few episodes in my lists that contain vital info, but per Sambob's point, I assume such info would come out in later episodes. In fact, I'll even suggest how Lost might have done so.
OK, so here we go...
Episodes Cut from Season 1:
House of the Rising Sun
The Moth
Confidence Man
All the Best Cowboys Have Daddy Issues
Whatever the Case May Be
Do No Harm
The Greater Good
That leaves us with a season of the following:
Pilot
Tabula Rasa
Walkabout
White Rabbit
Solitary
Raised by Another
Hearts and Minds
Special
Homecoming
Outlaws
...In Translation
Numbers
Deus Ex Machina
Born to Run
Exodus
The 2-hour Pilot sets up the cast of characters and the premise. "Tabula Rasa" and "Walkabout" establish both that people are not as they seem, with "White Rabbit" confirming the sci-fi stuff established in Locke's flashback. "Solitary" through "Special" establish character while introducing some Island mythology, with "Homecoming" still containing the first "we're not alone moment."
It's also a time to finally get into the back stories of Charlie, Sawyer, Sun/Jin, and Hurley, with consolidations of their flashbacks to get Charlie's drug addiction, Sawyer's cons, and the couple's fractured relationship addressed in swift, non-repetitive ways. "Deus ex Machina" now contains the best of that ep with the best of "Do No Harm," with events in "Born to Run" paving the way for the 3-hour finale, which takes anything still held over at the expense of 18 minutes of Arzt complaining. Done and done.
Episodes Cut from Season 2:
Adrift
...And Found
Collision
The Hunting Party
Fire + Water
Dave
S.O.S.
That leaves us with a season of the following:
Man of Science, Man of Faith
Orientation
Everybody Hates Hugo
Abandoned
The Other 48 Days
What Kate Did
The 23rd Psalm
The Long Con
One of Them
Maternity Leave
The Whole Truth
Lockdown
Two for the Road
?
Three Minutes
Live Together, Die Alone
The elements inside "Adrift" are sprinkled across "Man of Science..." and "Orientation." We get the in-water squabbling, we get the shark, we get back to shore, period. There's nothing in "...and Found" that couldn't go in other episodes, and Ana Lucia's flashback can be self-contained inside of "Two for the Road" quite easily. The two big events in "The Hunting Party" (Michael escapes, Tom gives Jack and company a warning) now slide into the first third of "The Long Con," and we just forget that "Fire+Water" ever, ever happened. Just tie in Charlie's drug use into increased concern on Claire's behalf for Aaron, helping prompt flashbacks to her time in the Staff.
Next, slide Dave's appearance into "Everybody Hates Hugo," and tease out Hurley's relationship with Libby in the same slow burn as already exists. Finally, while I love "S.O.S.," put Rose's mysterious line to Locke in any episode after Ben leaves and you've got mission accomplished.
Episodes Cut from Season 3:
The Glass Ballerina
Further Instructions
I Do
Stranger In A Strange Land
Exposé
Left Behind
This leaves us with a season of:
A Tale of Two Cities
The Cost of Living
Every Man for Himself
Not In Portland
Flashes Before Your Eyes
Tricia Tanaka is Dead
Enter 77
Par Avion
The Man From Tallahassee
One of Us
Catch-22
D.O.C.
The Brig
The Man Behind the Curtain
Greatest Hits
Through The Looking Glass
OK, this is the trickiest one yet, naturally. We essentially condense the first 6 episodes into 3. The first alternates between the Hydra stuff and sailboat stuff, so by episode's end Jack wants Sarah to be happy and Sun has killed Colleen. Next up, air "The Cost of Living" before "Every Man for Himself," to get Locke's voice back and get Eko to meet his maker before people get all antsy about those two crazy cats. "Every Man" and "Not in Portland" contain the essential elements from each episode, and incorporate necessary plot points from "I Do" into the mix This way, the plot moves more quickly and we eliminate Kate's unnecessary flashback from "I Do." Juliet's "trial" is shortened and included inside "Not in Portland" as well, along with everyone leaving for New Otherton.
This shortened season leaves no room for new, extraneous characters, so Nikki and Paulo never exist. (Huzzah!) As such, "Exposé" never exists. Finally, take the best of "Left Behind," feed it into "One of Us," and you have clear sailing for a shortened season!
***
Now, obviously this is all a theoretical exercise, one I realize is exceedingly easy to do from my comfy spot here on this couch, thousands of miles away from the writing room. I'd prefer twice as many episodes of Lost as opposed to half as many if I had my druthers, so long as quality was maintained throughout. I also imagine had the powers that run Lost known the exact number of episodes from Day 1, they would have structured things differently themselves. But hey, this is all in good fun, and I know I had a blast working through all of this.
So now it's your turn: what episodes would you excise from the season in order to streamline the storytelling? Feel free also to mix and match plots from episodes as I've done above.
Ryan also posts every 108 minutes over at Boob Tube Dude, then peruses Zap2It's Guide to Lost Facebook group. He also encourages you to join the all-new Zap2It's Guide to Lost Twitter feed. Pretty soon he'll have as many platforms as John Locke has ways to blow up things on the Island.


For the most part, I totally agree with your breakdown, so instead of giving it the full treatment like you did, I'll offer up where I strayed:
I had a harder time with this. Season 1 was the hardest to shorten, since the show covers the most ground there (Day 1 through 44, whereas every other season covers around three weeks or less -- Season 4 was a little over a week!), and I think most of the character development is necessary. I do like the idea of eliminating one flashback episode each for Sawyer, Charlie, Kate, Sayid, Jack and the Kwons, and for the most part I agree with the ones you chose. However, I think I'd keep the on-island Sawyer bits from "Confidence Man" instead of "Outlaws." I'll take the Sawyer/Sayid standoff and the kiss from Kate over the stupid boar subplot. But I would keep the "Outlaws" backstory (while saving the Jack/Sawyer scene, obviously) over the "C.M." flashback. That one could somehow be condensed with C***idy's story from "The Long Con."
Season 2 should've had a very special 90-minute kickoff combining all of the "Ras****n" elements of the hatch story from the first three episodes (the supersized premiere then ends with "I'll take the first shift). They would've kicked *** all together like "Reservoir Dogs" rather than spread out the way they were.
Then, take the tailies story from "Adrift," "Orientation," "And Found," "EHH," and work that into two episodes or so. Then dump the beach/hatch stuff from "EHH." Basically, all the hatch discovery and tailies trek could've been shrunken from 9 or 10 episodes into half that amount. The setting of the end date two years later illustrated how much they were truly stalling here more than anywhere else in the show's run.
After that, I think "Fire + Water" can easily go. And a lot of "Dave" and "S.O.S." felt like a waste of time, especially at the time they aired.
Season 3, I think you hit the nail on the head, except for maybe "Par Avion" over "Left Behind," but that's splitting hairs. In fact, now that I think about, you may be right. I'll stop now.
As short as Season 4 was, I still think it could've been streamlined a little bit. "The Other Woman" comes to mind, and bits and pieces of both "Ji Yeon" and "Eggtown." But that's the kind of thing I know they'd retroactively fix if they'd known about the writers' strike.
Lastly, just an observation: As it stands, in its original run, Season 2 was better suited for the six-episode mini-season than Season 3. Episode 6 of Season 2? "Abandoned." Ana-Lucia shoots Shannon as the Tailies reach the beach. Then, the first episode back after the long hiatus is "The Other 48 Days," which in many ways could serve as a clip show, negating the need for an ACTUAL clip show. Just something I noticed.
I can't tell you how glad I was to find out that my question prompted this column. You're welcome.
fun read! thanks for the good question, Sambob, and the intense thought, Ryan.
Great analysis Ryan and Sambob.
I have nothing to add but, it was quite an interesting read.
I always thought Greatest Hits was nothing but a set-up for the finale and a pretty boring episode. Sorry Charlie
Weird. I have always believed that the pace of season 4 was just too fast. And now I'm hearing it refreshed the show... And honestly, I always thought that Expose was a perfect example of the genius of Lost. I mean, imagine if Law and Order and other pretty lousy shows did mystery episodes like Lost did with Expose. Yeah, it's a standalone episode and doesn't add to the mythology, but it's an episode of Lost nonetheless.
My point being... I cringe when I read how Lost could have been shortened. I understand that this is not necessarilly was SHOULD have happened, but I believe that you take out episodes just because "not much happened", you take out the spirit of the show.
Hey griffey, don't get me wrong. I love this show and wouldn't cut any of it out. This is just an argument about how the show might've been different if J.J. and Darlton had gotten the HBO-like deal they actually wanted (but networks don't do) ... five seasons at 13 episodes each (did they say that on one of the DVD extras? I can't remember where I heard it, but I know I heard it). Yes, they set the end date, but they fully admitted after they inked the deal that there was a certain amount of stalling when they didn't know how long they'd actually run.
For the record, I love "Exposé," and totally got it when it was on. Did you watch "Buffy"? Well, to me, "Exposé" was a lot like "The Zeppo." All this stuff is going on and no one notices it. I thought it was great that Nikki and Paulo discovered the Pearl before anyone else, knew about Ben's plan before anyone else and found a means to spy on the Others with their lost walkie-talkie ... but they didn't give a crap because they were too busy looking for a bunch of stupid diamonds. I loved it. Yes, the show blew it with Nikki and Paulo, but I think the characters got offed brilliantly.
Ryan:
Sorry, but this bugs me: it's "pore over" not "pour over." Sounds like you cut yourself and bled all over your DVDs with the way you wrote it, mate. :P
Great evaluation with the episodes, and great question to begin with, Sambob. A fifth of Scotch for you (or whatever you like to drink...unless it's Mountain Dew, then you can buy that horse **** yerself).
I mostly agree with your calls, but there's two things in your cuts that I feel would have to roll over:
1) Jack's flashbacks (Cowboys, Hunting). Not only do they have Christian Freakin' Shephard, which is always great, but they also focus on what I feel to be the two biggest factors in why Jack is so screwed up; his dad and his ex-wife.
2) The scene with Ethan beating up Jack with ruthless efficiency and the scene where Eko & Jin hiding from the Others. Both episodes showed just how mysterious, dangerous and remorseless the Others could be, which is key to the bizarre turnaround we see in them during Season 3.
I could never cut "Do No Harm." It was one of the most emotional episodes of the series, and it really shows how the wedge between Jack and Locke really began. The scenes between Matthew and Ian were great and heartbreaking.
Sorry, great character moments are essential for me.