'Heroes': I want a hard target search ...
I have two immediate thoughts about this week's Heroes: First, it sure is hard to find good fugitive-hunting help these days. Where's Tommy Lee Jones when you need him?
And in the same vein, where's the Haitian when you need him? Because I think if I could have had the memory of most of "Villains" wiped from my mind, I would have enjoyed this episode more than I did.
These spoilers come to you direct from Russellville, Arkansas.
On the plus side, tonight's episode -- written by Battlestar Galactica veteran Mark Verheiden -- worked reasonably well as an action episode, with Peter, Parkman et al trying to get away from the plane crash site and Nathan and his goon squad hunting them down. Intercutting Nathan's phone conversation with Angela was also an efficient way to provide exposition and let us know that Nathan may have bitten off a little more than he can handle with his Round 'Em All Up* plan. There were, however, a couple of other things -- including what felt like a huge continuity gaffe -- that prevented me from full enjoyment.
(*Except me, of course.)
The wide shot of the plane's wreckage at the beginning of the episode made me think of the bus-train calamity that sets The Fugitive in motion, but visuals aside, there are some key differences. Harrison Ford, for instance, knew enough to get moving and not look back, and I don't recall Tommy Lee Jones ordering an airstrike to clean up the debris field.
And, somewhat unfortunately for everyone involved, Parkman feels the need for art supplies soon after the crash, so he, Hiro and Suresh high-tail it to a trailer so he can draw Daphne getting shot at the crash site, Hiro in New Delhi and a few other panels we didn't get to see as clearly. The first one in particular makes Matt distraught, since Daphne isn't there yet. She instead is tracking down Ando, who's finding that his and Hiro's GPS Friendship Chips are handy after all, and they're off to Arkansas to try to rescue their friends.
And sure enough, all our good guys get together briefly, but unfortunately for Daphne, the four seconds she slows down to assess how she can speed everyone away are the four seconds in which she gets shot (so long, presumably, Brea Grant, since you were a guest star) by Danko the Hunter's men. Parkman then goes a little mind-control crazy -- which was actually pretty interesting, given how hard he tries not to abuse his power most of the time -- on the soldiers and has one kill his mates before Danko steps up and kills him.
Claire gets caught in the crossfire, and once again her two dads convince Danko to let her go. The advice takes this time, and it's back to Costa Verde, where she tells a relieved Sandra that she thinks she'll be sticking around a while (uh-huh. Sure you are). HRG tells her yet again that This Thing Is Far Bigger Than You Could Possibly Know, and I get a little sad hearing what was once the show's most compelling character repeat his one-note, I-just-want-to-protect-you litany yet again.
Also on the plus side, Ali Larter gets more to do this week than she has in quite some time, going on the lam with Peter for a bit before reverting to her angle-playing, deal-making self and trying to work a deal by which she gets her old life back, assuring Nathan that she'll deliver Peter to him and vice versa.
Nathan may be a lot of things, but he's not so dumb that he'd really show up without backup. The exchange naturally goes sideways, and while HRG hems and haws and doesn't take out Peter when he has the chance (at Nathan's behest, it turns out), Peter takes his brother's ability and flies off, and a peeved Nathan has Tracy taken back into custody.
The episode ends with Peter giving his fellow escapees a rah-rah speech about doing whatever it takes to survive and being ready to fight when the day comes, which given the BSG connection tonight I can't help but think would sound a lot more convincing coming out of Laura Roslin's or Bill Adama's mouth. We also see Angela telling Nathan, basically, to suck it -- he's cast his lot with Danko (who according to the clipping Angela is holding has a thing for collateral damage), so he's got to live with that.
We close with Tracy hooded and cuffed again. She's spitting mad that Nathan has reneged on their deal and finally call him out on his hypocrisy. It's all on tape too, so you can figure that someone Nathan would rather keep his power secret from will see the video.
Meanwhile ...
Sylar is still looking for his father somewhere in the swamps of Jersey (or, OK, Newark), and he somewhat randomly decides to decamp with Agent Redshirt to a house across the street. It's the home of single mom Mary Campbell and her son, Luke -- and wouldn't you know, young Luke has an ability too. It seems he's something of a human microwave (as in a microwave oven, not Vinnie "the Microwave" Johnson). Luke saves Sylar from Agent Redshirt, and as a reward he doesn't immediately slice the kid's head open. Instead, they head out on a road trip together to look for Sylar's dad (who, by implication, may be Luke's father too. Cue Star Wars music).
I liked Dan Byrd a lot in Aliens in America, so it wouldn't bother me to see him stick around for a little while. But is there a way he doesn't end up with a giant zipper across his forehead? I am very much not engaged in the Sylar stuff these past couple weeks.
Odds and ends from "Trust and Blood":
- About that continuity snafu: When they arrive at the crash site, Daphne tells Ando that Hiro has to be alive, because Ando kills him in the future. My notes at this point say "[wait ...]," with the "oh sweet Jesus" implied by the ellipsis. We dispatched of that future last arc, 'member? When the formula was destroyed and everyone doesn't have superpowers? Anyone?
- A more minor head-scratcher involved Parkman's latest white-eye adventure. I think this is the first time we've seen a character fuzz out like this and still be able to move around and do something other than just draw his visions. That's fine, but I had to chuckle when Matt rushed into the trailer and then rushed out again to do his artwork. Dude, you're a wanted man on the run from some highly trained government operatives -- d'you think you might be able to do your little project inside, where you're less, you know, visible?
- Peter took time to explain to Tracy that he can only take on one ability at a time, so I guess that's officially put to rest.
- I'm assuming the stuff Nathan's people put up the supers' noses deadens their powers and is the same thing used to subdue Sylar and others at Level 5. After all the mumbo-jumbo about the formula in the last arc, though, it's almost comforting not to hear an explanation of what it is.
How'd you like this week's Heroes? Are you able to put the show's past out of your mind, or is there too much baggage at this point?


I continue to think this show is making great strides in the right direction. the sylar story line with luke i thought was great, zachary quinto is such a good actor, but am kind of bummed that peter has only the power to have one persons power, kind of dumb. great episode, fugitives is 2 for 2
I think this is heading in the right direction. I like how they answered that question about peter's power 5 minutes in, I know that was a major topic last week. And i'm sure Tracey will Danko next week. I'll give them a few more weeks you got February sweeps so I'm sure they better have something good at least this month.
One of the better eps, thanks to the focus on action (something this series tends to de-emphasize to a degree). I hope this will be a hallmark of the current arc.
On the negative side, I'm finding it tougher and tougher to really care about these characters. The loss of Daphne is no big deal, since I thought she had minimal chemistry at best with the rest of the cast.
No offense to the actors, but Peter, Hiro, Sylar, Ali, etc. just don't grab me any longer. Only Nathan, Ma Petrelli, HRG and now Danko seem at all compelling. I'd really be in favor of newer characters that might offer fresher story ideas.
I still like the show enough to stick with it, though. So far the first few eps seem to be heading in the right (or at least a better) direction.
I'm intrigued, and at the same time, bored to tears by how things are going. I see they are TRYING to get back on track, and I love and respect them for the effort. But the flaws of this show just keep repeating themselves; for example, FuturePaint lives on through Parkman now, and Nathan's back to flip-flopping his motivations and emotions whenever it's convenient to the plot (Seriously, he tells Peter TO HIS FACE in the "Villains" finale that he would've let him die if their roles were reversed, and now he's all touchy-feely about him and thanking HRG for not taking the shot?)
Other thoughts:
- Regarding the Ando/Daphne exchange; I think that scene in Future Japan between Hiro & Ando is still in play. The world splitting in half is not, but we know Ando has the power to energize the abilities of others with his red lightning (which is how he "kills" Hiro).
Hiro also had a sword in that scene, and based on the line he gave after seeing the drawing of himself, Hiro wants to get a sword again (possibly even his Kensei sword) and get his powers back. And if the paper the formula on somehow survived Pinehearst's destruction (or it was copied), I could see Hiro finding it and taking it in an attempt to reclaim his powers, and Ando trying to stop him because the formula is too dangerous.
- The ra-ra speech from Peter is basically setting up Team Fugitives to become Team Terrorists as we know them from all the future scenes over the past seasons. Regardless of the world situation in these futures (bombed NY, powered-up populace) the one constant has been that the Heroes were always being hunted by the government, treated as criminals, and Nathan Petrelli was the one pulling the strings as the President. If Peter ends up catching a scar across his face before the end of this volume, you'll know I was right.
- If HRG isn't really working-for-Nathan-while-undermining-his-operation, then he's a complete tool and a douchebag and I want to drop kick the writer that made him this way.
- WTF is the point of Sylar's storyline? The positive side of me wants to believe his real father somehow ties into the main plot of this volume, but I just don't know.
If this volume is leading us back to the scene in the future (epidose uno of villains) with Peter and Claire being "hunted", and Peter getting that scar and stuff, then his new power must develop into being able to take more than one power, because "future peter" could teleport, use parkman's power and Candice's power too. So if this volume is working back to that they'll have to figure that one out somehow... They'll probably just end up bringing Claude back to be Peter's lame version of Yoda again.
there's nothing lame about Claude (chris eccleston) WTF
Rick - You're right about Bill or Laura being able to pull off that monologue, but Peter just ain't got the chops... Which is kinda sad.
While she had ZERO chemistry with Parkman, I liked Daphne and thought her dying was kind of a throwaway moment. She deserved a better death.
WTF moment: Mohinder telling Hiro he had no place here and should just "go home." Seriously? It's like every time the writers have an choice, they go with the Make-Mohinder-a-total-*** route. Kill him, already!
Sylar Apprentice could be interesting. Seeing as how his last partnership turned out though, it might not end well for the kid. RIP, Elle.
Tell me again, why do they always kill off the interesting characters and hang onto the lame ones?
Anyway, while it's definitely weebleing in the "Getting Better" direction, you never know, the show might still wobble back the other way. We'll see.
Parkman got shot..hopefully dead.
It'll stop the future crap & his anooying attitude.
And i agree bout the characters not being interesting anymore...the only one I actually get excited to see is angela petrelli and the haitian...
i used to like ali larter when she was nikki...now hopefully when they bring the third one she'll have a personality again.
Could anyone tell me who played Mary Campbell (Luke's mom) on Heroes last night? I liked her a lot.
Could anyone please tell me who played Mary Campbell (Luke's mom) on Heroes last night? I liked her a lot.
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