It Happened Last Night

'Fringe': Last brain to Clarksburg

By Ryan McGee

   |  

November 18, 2008 8:31 PM ET

Johnnoble_fringe_240_002 Let's just call this episode of Fringe what it was: "The John Noble Hour!" And folks, that's a mighty fine way to spend an hour, let me tell you. This week's episode didn't balance the personal and mythological as well as last week's entry in the series, but the personal side was so damn good that I really couldn't care less. Am I interested in the Pattern? Absolutely. But if the show wants to spend a few weeks making us care more about those investigating it, you'll scant hear a complaint from me.

I have to admit that this week's use of hypnotism freaked me out. Why? Because hypnotism freaks me out in general, that's why. And now that Fringe has linked it with Christmas, I'm going to be a nervous wreck waiting for Santa Claus to show up this year. Even more so that usual. Luckily, I won't be as much of a wreck as the multiple abduction victims this week. Someone hypnotized these people through the use of red and green lights, and they all went sorta kinda crazy. One woman tried to give herself a lobotomy (bad idea), and another brutally murdered his wife (even worse): all from mentally induced hallucinations created to coerce the unwitting subject into finishing a mysterious, complex formula.

See, the wife killer, Dashiell Briggs Kim, just so happened to be working on an equation found inside the musical composition of the most recent kidnapping victim. Dashiell also happened to be a former roomie of Walter Bishop in St. Claire's. Once you learned that, did you have any doubt whatsoever that Walter would soon be going back inside? Of course not, and the heartbreaking part was that Walter saw this inevitability the moment we did.

I mentioned at the top of this recap that this was "The John Noble Hour," and one only need watch Walter and Dashiell together to realize the small miracle Noble pulls off week in and week out in this show. He's still the show's eccentric, but he pulls it off in a way that doesn't feel over-the-top. Dashiell's shouts were met with Walter's whispers; it's the difference between scaring an audience member away versus drawing him or her in. Moreover, this week allowed Walter his first real act of heroism, plunging himself directly into harm's way (mental and physical) to save the life of a boy he has never even met.

Joshuajackson_fringe_240 If Noble held up his end of the acting bargain, then Joshua Jackson was every bit his equal this week. The bonding of the Bishop boys in this week's installment might have been my favorite thing on the show to date. Everything from Peter's instinctive protection of Walter at the outset, through Walter's declaration of (minimal) independence by episode's end was note perfect. The best moment? Walter's absolutely devastating, "Son, is that what it's like to talk to me?" before leaving St. Claire's, in regards to Dashiell's ramblings. Their bond grows stronger each week, which makes the show by extension that much stronger as well.

Course, it wouldn't be a drama without obstacles, and it looks like Peter's past is about to start wedging itself in between himself and Walter. Aw, man, just when Christmas was safe again! St. Claire's resident in chief, Dr. Sumner, was the latest in a string of people alluding to Peter's less-than-rosy past. We knew Peter was an MIT dropout, but we learned this week he actually faked his way into the institution. His former business endeavors also came into obstructed view once again, both through Sumner's insinuations and his keen ability to find people not even the government could locate. Can a Pattern case with his fingerprints all over it by too far in the future?

As for this week's Pattern case: clearly an insidious plot against the produce industry! OK, not really, but it looks like the elusive equation solved by little Ben (Folds?) allows one to phase through solid materials. (Can we call it the Shadowcat Equation? Pretty please?) Now, I couldn't tell if the vibrations caused the man's hand or the safe's material to suddenly give way, but the point is this: such an equation would make any previously impenetrable space suddenly accessible. And this would be pretty handy if you wanted to rob a bank. Or bust someone from prison. Perhaps bypass Massive Dynamic security. Or, you know, sneak in after curfew. Limitless possibilities here.

But all of that pales in comparison to the awesome that was Walter Bishop this week. If the show can continue to develop his relationship with Peter in so strong a fashion, then what's been largely an esoteric genre show will tug at the heart in addition to teasing the mind. Such a transformation is worth all the oddly obtained apples in the orchid.

What did you make of the John Noble Hour? What's in Peter's past that has everyone so concerned? And if you could possess the ability to phase through material, what's the first way in which you'd use said ability?

Ryan makes sure to never look at blinking lights over at Boob Tube Dude.

 
 
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Great episode and great recap. I have two questions ...

1. Was it coincidence that Ben learned piano overnight, and that tune in particular - or was it planted in him while he was in the hospital with the plan to abduct him later?

2. If red-head kidnapper was taken by surprise, how did she get Ben to finish the piece? In the time between Olivia blacking out and the other FBI agent finding her?

I am looking forward to seeing more of Peter's past next week - and I can finally stop calling him Pacey in my head.

I was glued to me bed during the entire hour. I had to watch the show an hour later than normal since my hubby was monopolizing the TV. I guess that cool experiment has its useful purposes. I am with MK46, how did she get Ben to finish the equation in such a short period of time? Does Ben now lose his musical ability or does he only know that one little song? What a horrible thing to do to a child, bring back his dead mother then kill her off again right in front of him. That ****ed me off big time. I wanted to kill the witch myself.

I'm pretty sure that Dashiell's last name was Kim, not Briggs.

Blast IMDB for getting his name wrong! I'll fix.

Great episode. Outstanding interaction between Walter and Peter. And I agree, that line of Walter's -- "Is that what it's like to talk to me?"-- was the highlight in a great eppy.

They are great, I even like Astrid's limited appearances. The weakest link to me is still Olivia. I know she is supposed to be professional and stoic, but she just comes of very wooden to me.

Is is just me or is the gal talking to to Peter in the preview the some actress that played the Humphrey mom on Gossip Girl?

Great recap as usual. I like the whole cast but oh boy, John Noble is so good!

Ryan, I agree - If Noble held up his end of the acting bargain, then Joshua Jackson was every bit his equal this week - both were fantastic this week!

Fringe, Fringe, Fringe, Fringe, I love it. The interactions are great but have you noticed his (Walter) facial expression in the car (with the background music) when they were driving to the Institution? Another outstanding well placed detail. It has been a long time since we had such a great show. Better by the week. Great review Ryan. It is good to have such positive comments and your reviews sure ***ist me in understanding the ins and outs of the show.

Stevus from Qué Canada.

Kudos must also be given to the actor who played the abducted young boy. He had a hell of a lot to go through in this episode, including being encased in a brain-squeezing device straight out of the Saw franchise, learn how to play a piano piece based on a complicated mathematical formula, and watch a woman's face essentially go all Cronenberg-movie-finale in front of him. Don't know who the kid is, but he did a great job.

John Noble's voice is what gets me: he can go from playful baritone to this deep, shake-the-rafters-hide-the-children b*** that scares my cats. He also has a very expressive face, which is perfect for the character of Walter Bishop. His scene with Dashiell Kim in the asylum was a symposium in close-up acting. A lot of younger actors would have great difficulty allowing somebody into their personal space, but the two men did an amazing job.

As for the character of Olivia, with all the strange and bizarre folks surrounding her, I'm perfectly content with having a woman who doesn't go flying off the handle emotionally at the least little thing, the same as I wouldn't want a male actor in a similar role behaving just as oddly as Fox Mulder or, as it were, Walter Bishop. Olivia holds herself together admirably, and thus keeps the show from spiraling down into what many think Fringe is: a circus of fake science and stupidity. I'm sure if Olivia were in sheer bras and thongs for most of the episodes, all the men complaining would be perfectly happy, ne c'est pas? :P

Overall good episode.

I usually wait for the big opening act of Fringe, but after the cafe opening from a couple of weeks ago, subsequent openings have looked boring.

Is it me or have Fringe's numbers dropped off viewers this week?

Anybody able to locate THE WATCHER in this episode?

Totally agree, John Noble as Walter is what keep me watching. Yes, I like the X Files-style mysteries, but Walter is one of the most original and interesting characters on tv right now. Wonder if Noble will get some recognition come award season. He is brilliant and heart breaking.

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