'Burn Notice' and the perils of micromanagement
Burn Notice is apparently a tribute to the powers of word-of-mouth advertising. Poor Michael keeps getting tracked down by clients who beg for his help, when all he really wants to do is solve the puzzle of Carla and her mysterious organization. that's lucky for us, because we get to see him definitively solve the problem of control-freak bosses. Also, we learn the one sure way to win an argument with Michael, find out something surprising about Sam, and see how none of our antiheroes could ever make a living as relationship counselors.
This spoiler made some lousy decisions in the 70s.
This week's client is Trevor, an ex-con "expediter of getaways" who wants to stay straight, but is being pulled back in by a former boss who threatens to kill his family if he doesn't cooperate. Michael is unmoved until Trevor reveals he made a promise to his baby boy to give up his life of crime. Since that is Michael's official Achilles heel, he agrees to help.
The bad guy, Timo, is a bank robber who likes to put together the perfect team and then treat them like he's a particularly nasty Victorian-era British nursemaid -- no talking, no asking questions, do exactly as you're told and then go back to your corner and eat your gruel. He may not be cuddly, but he's damn successful. Since he's such a control freak, Michael thinks it will be easy to get Trevor out of the situation -- he just needs to take out one of Timo's regular players in a way that can't be traced back to Trevor. The best candidate is Gilbert, the safecracker -- he's had a couple of DUIs, so if he's caught drinking and driving, he's violating parole and goes to jail. But Gilbert seems to be immune to Fi's wiles, so Sam has to put his manly chin on the line and get beaten up until the nearby cops notice the fracas. This takes some time.
Alas, apparently the score is too big for Timo to give up on, so it's time for Plan B -- Michael comes on board as a substitute safecracker. Poor Trevor nearly loses bowel control when Michael has to do an on-the-job interview -- if he fails, Trevor is toast. Fortunately, Michael pulls it off. But even though he's on the team, control-boy won't tell him any details about the heist, so Michael can't take any steps to prevent it.
Michael finds the target, but the con-artist team member is the inside man, so he can't just waltz in and warn the store. Then Timo puts the heist in motion, and Michael scrambles to get Sam and Fi to help out. He engineers it so Sam sets off the alarm from an outside junction box while everyone is still in the jewelry store. Timo scuttles the mission and sends everyone off to the cars Trevor seeded the area with. But Sam let the air out of Timo's tires, so he can't make it back to the rendezvous point with the rest of the team. Michael tells everyone else that he got the jewels and gave them to Timo. Then Fi sets off a bomb in the hideout, because.. well, for one thing, Fi likes blowing things up. Also, it makes it look like Timo set it up to try to kill everyone. This makes Kandi, the muscle of the group, somewhat peevish. She tracks Timo down and, when he refuses to share the jewels (because they were never stolen), she kills him. She looks pretty happy about it, too. Trevor is off the hook, Michael has done another good deed, and a father will actually be there for his son. Yay.
The Quest for Carla
Unfortunately, the do-gooding gets in the way of Michael's primary objective: Figuring out Carla. The surveillance he and Fi were doing on Carla's mail box finally pays off and leads Michael to her office. But she's got impressive, if stealthy, security, and he needs to get past that. He comes damn close, but just when he's about to enter, Timo calls him in for the heist. When Michael makes a second pass, he successfully gets into the office -- only to find everything gone. Well, not quite everything: There's a digital photo frame with footage of Michael making his first approach, plus a few other lovely parting gifts. We'll let Michael describe the ramifications of this: "When you work in intelligence, there's no bigger slap in the face than a picture of yourself in the middle of an operation. It sends a clear message: We're one step ahead of you, we're in control, we own you. Mylar balloons and a bottle of champagne -- that's just twisting the knife." Plus there's another puzzle waiting for him. Carla's got another job for him to do!
Highlights, thoughts and odds and ends
- First, some business: Many thanks to Andy and Brandon for taking over while I was on my top-secret overseas mission. In the world of recappers, they're on the same level as bank robbers. In a good, rock-star way, not in a shoot-in-the-face way. Salmon jerky is on its way, guys! (Boy, salmon jerky sounds obscene, doesn't it?)
- Did anyone else get a flash of The Pirates of Penzance when Trevor pulled the "I want to be a good dad!" card? The Pirates are all orphans, and so they won't harm anyone other orphan. But it gets out and, as Frederic explains, "The last three ships we took proved to be manned entirely by orphans!" I know there's probably plenty of family dysfunction in the greater Miami-Dade County area, but does everyone with a problem has some sort of family issue at the heart of it?
- I loved that Gilbert assumed Fi was a prostitute when she started chatting him up -- it would have stretched the bounds of credulity if he's though "Why yes, it is perfectly rational for a hot, apparently rich chick to be hitting on me out of nowhere."
- I loved it even more when Fi took her time alerting the cops to Sam's predicament. The two are such squabbling siblings!
- Speaking of Sam's predicaments -- Veronica asks Sam to marry him, and he has no response. Michael is no help, and he finally tells Fi what the problem is -- he got married in the 70's, and he never got around to getting a divorce. that's some oversight, Sam! Fi recommends that he just tell Veronica the truth. That doesn't go over so well...
- I continue to completely adore Carla -- the balloons and champagne thing was fabulous.
- I loved hearing the hierarchy of criminality. Plus, Michael pulled off the diva artist attitude quite well, don't you think?
- Sam shows off his new watch, then informs Michael it's called a timepiece. Apparently, when it costs more than four figures (before the decimal point), it gets extra syllables.
- Who played Kandi? It's been driving me nuts! I loved her -- even though she was only on screen for about two minutes. Something about her satisfied, sing-song "three" before she shot Timo made me happy. And like Sam, I'd love to see what happened if she and Fi got together.
Michael's spy bits
- Tailing a trained operative is a pain in the butt, entailing prep work like getting an unrecognizable, untraceable car, and learning local traffic patterns. Doing surveillance with Fi is even worse.
- Covert security is designed to blend in, and is best drawn out by dicking around a delivery boy.
- "Criminal hideouts tend to be pretty non-descript. Underground caves and spooky old mansions are dramatic, but a boathouse in the Keys is easier to find." Dammit! I had my dormant volcano all picked out!
- You can't stop a door alarm from going off, but you can explain it -- scatter cigarette butts outside the door and folks will assume it was just someone sneaking a smoke break.
- A webcam and a signal booster are ideal for 24-7 surveillance (plus, they don't entail a petulant Fi throwing peanut shells out the window.)
- When pressed for time, use dental putty to fasten your surveillance equipment to a wall -- it's easy to mix, easy to apply, hardens really fast and keeps your equipment securely fixed.
- Making yourself invisible is "often just a matter of quick thinking, fast feet and strong fingers." Yeouch.
- Safecrackers have incredibly cool toys.
- Fi's addendum: The last number of a combination lock is always the same: C-4.


Yea... Sarah's back doing the recaps!
I'm pretty sure Kandi was played by Robin Givens. Awesome episode as always. I have to say for me S2 may actually be slightly better than S1.
A fun episode. Interesting that last year is catching up with him. In year one Fi, Sam, his mom, or someone else he knew brought him work. Now word is spreading and people are searching him out. Not something a spy wants.
That was the former Mrs. Mike Tyson as Kandi.
I have to say Like this one better than lat week. But I'm still afraid they might be setting a formula format that you can set your watch by.
How can you be the writer of a TV column and not have recognized Robyn Givens? Geez, louise. She looked pretty hard in the face, like Father Time has been chasing her ***.
Too bad that Timo was killed. I love that actor. He's very attractive and he was fantastic in Showtime's Sleeper Cell.
Back to Burn Notice....the characters, Michael especially, are great, but the writers are letting them down this season. They need to devote a full episode to Michael getting some traction on Carla. Enough with the silly Wiley Coyote-Roadrunner games. The whole "Carla left another crossword puzzle for Michael" plot device is already overused and we're only four episodes into the season.
There's got to be a way to allow Michael to get some more info that will advance the plot but not solve the entire mystery of who burned him.
MUCH better than last week. Had to record that one and shoot through it to catch up on the soap opera. What I think is either it's a slick and witty spy thing or it's a weekly-fool-the-Latin-drug/crime-boss thing--and the latter sucks. Good point about Pirates: I think we're gonna be seeing "orphan a person who lost his parents" "frequentlee."
PS: gotta disagree about Robin Givens' (boy she looks bad) one-two-three shoot the bad guy in the face bit. I frankly hated it. It was so unthinkably cold and cruel. I just felt disgusted with it. Guess I have no sense of humor.
Nobody has commented on the production values of this show...considering that USA is "NBC Lite", and they don't have the same big budgets as the network, they do a great job technically of creating a good story, while keeping their tongue firmly planted in their cheek. It's like a fluffier, lighter, less-take-itself-so seriously Miami Vice. Anyone else agree?
Having watched the entire first season back-to-back right before starting the second season, I have to point out that people's complaints about the second season were in the first season as well. The lack of movement in Michael's burn notice plot line (while I agree is a little annoying) was exactly the same in the first season.
Best thing about the episode? No Sharon Gless.
I agree with some that each week's episode is as formulaic as they come, but it's part of the genre. Miami Vice started the modern version of it; Sweating Bullets made it more humorous; and Burn Notice has made it about as perfect as the tongue-in-cheek adventure dramedy can get. I'd be a little disappointed, frankly, if the Carla backstory started getting as convoluted as Lost. If I want mega-watt conspiracy theories, I'll watch that show; for a weekly dose of balls-to-the-wall, take-no-prisoners, laugh-even-when-it-hurts shenanigans (however that's spelled, with apologies to my Irish ancestors), I'll take Burn Notice.
This week's case was one of the coolest thus far, just because it forced Michael to go back to school, as it were. Most of the time, he already has a good grasp on what to do to accomplish his mission. This week, he had to either relearn old skills or have Fi (who seems to know everything related to underhanded skills that few people who aren't in prison for life should know) teach him in a few hours. That's the only thing truly yeah-right about Burn Notice--while Michael is, admittedly, highly-intelligent and adaptable, he picks up new knowledge and skills waaay too quickly. Still, this isn't Eureka, where everyone is a genius or just lives next door to one.
Oded Fehr and Robin Givens: now that's a match-up I'd have never thought of. And, yes, she is looking a little rough. But, considering who she was married to, at least she's still breathing.
Did I mention how great this episode was, since Sharon Gless wasn't in it? :P