'Lost': Left Behind
Here's something rare: a Kate-centric ep that's a must watch! I know, I'm as shocked as you are. No toy planes to be found anywhere, I promise. Moreover, we get a major monster download, with the creature doing two things we've never seen it do before. Throw in a great Sawyer/Hurley B-plot and you have the start of a great final run of episodes to close out Season 3 of Lost.
Left Behind
4) In Short
"Smile for the camera!"
8) On the Island
Kate sits idly in the Barracks game room. She spies Juliet walking by, and quickly behinds the door. However, instead of laying the smack down on Juliet, her captor dodges her attack and kung fus her to the floor. Anyone keeping a running tally of how many Lostaways Juliet has beat up by this point?
A little later on, Locke visits Kate. He tells her that he's leaving with the Others. She worries he's been brainwashed; he flatly tells her he doesn't want off the Island at all. He also tells her he made a strong case for bringing her along, but then he learned what she had done before coming to the Island. As he leaves the room, Kate asks about the state of her friends, but Locke silently leaves without giving any answers. Damn, he IS an Other. And hey, what's up with the bandage on his hand, eh?
On the beach, Hurley tells Sawyer that there's an upcoming vote in which the Lostaways are going to vote on the fate of Sawyer's place in their camp. Hurley suggests he try and make amends before the vote, but Sawyer merely says that Hurley's "rotund" figure is ruining his view of the ocean.
The following morning in the Barracks, Kate eyes the now moldy sandwich brought by Juliet the night before. She hears commotion outside, and sees various Others walking out from their bungalows bearing backpacks and...gas masks? An Other opens the door to the game room and tosses in a canister, which quickly fills the room up with smoke. Unable to find an exit, Kate soon passes out.
Kate walks up in the jungle, disorientated. Also? She's handcuffed to Juliet. Man, if I had a dollar for every time this happened to me, well...I'd still be unable to buy anything on McDonald's Dollar Menu. She disarms Juliet of her pocket knife, prompting Juliet to wake up and instinctively grab Kate's wrist. She proclaims that she doesn't know why she's out there either. Kate smirks and says, "Welcome to the wonderful world of not knowing what the hell's going on." It's indeed an awesome world: most of us have been there for the past 4 seasons!
Sawyer tries to fish for himself, to no avail. Nearby, Sun gives him the stink eye while she and Jin gather enough fish to feed an army. Sawyer eventually manages to catch a fish, but the gutting of it grosses him out. He's soon all but running to Hurley, asking how to make amends. First up? Hurley asks him to apologize for all the nicknames. Once Sawyer does, Hurley takes him back towards camp.
At night, Kate is anxious to return to New Otherton. Juliet? Not so much. Juliet accurately predicts a imminent rainfall, and oh boy, here we go: Juliet tells Kate she hopes she's not going back for Jack. After all, Juliet was there when Jack told her not to come back, and now that Kate destroyed his only chance off the...AND A RIGHT HOOK BY KATE! Girl fight, and it's a damn solid one, very creatively choreographed considering their are handcuffed. Kate ends up dislocating Juliet's shoulder, right before the ominous sounds of the monster are heard. Brilliant scene.
But wait, it gets better: Kate leads Juliet inside a set of banyan trees. We get a few POV shots of the Monster slowly, inexorably coming towards them. We see the pair look at the monster, and then...a series of bright flashes, flashes that oddly seem to slow time upon exposure. The monster then quickly backs away. Holy moly. I need a drink.
Next up on the Sawyer Rehab Tour: Claire! Hurley suggests that Sawyer show some interest in Aaron, and give her a blanket. Aaron hysterically cries upon seeing Sawyer. Sawyer acts as if he'd rather be back in prison, dropping the soap, than standing over her at this moment. However, he manages to get through 30 seconds of non-ironic discussion, leading Hurley to give him the thumbs up.
Back in Banyan Land, Juliet tells a disbelieving Kate she's never seen the monster before then. Juliet wants Kate to pop her shoulder into place, stating it's the least Kate can do for her in that she stranded her as much as she's stranded Jack. She coldly tells Kate that the real reason Jack told her to not come back was that he saw her and Sawyer engaging in some jungle love (oh ee oh ee oh), and that it broke his heart. Stunned, Kate wordlessly pops Juliet's shoulder into place. Well, that's three freakin' incredible Kate/Juliet scenes in a row.
The following morning, Sawyer is hunting for boar with Des. Desmond wants to know Sawyer's "angle," noting he'd barely spoken three words to him before that day. "I got hearts and minds to change," notes Sawyer, a phrase with more meaning that he probably intended.
Juliet and Kate are still inside the banyan tree the following morning. While walking back, Juliet reveals that she knows about 7,309 more things about Jack than Kate does, deepening the knife in Kate's back. No time for more soap operas, however: that pesky monster's back! They run towards the sonic fence, falling in the mud. I'd love to make a stupid immature joke here, but all I'll say is that they are now looking like muddier versions of the hillbilly incarnation of the Others and leave it at that. Cuz, you know, that might be a huge clue as to why the Hostiles used to clothe themselves in that color.
They reach the sonic fence, with Kate unwilling to cross it. After a brief argument, Juliet busts out a key, uncuffs them both, and runs through the pylons where she enters a code into one of them. She suggests Kate get on her side of it. After Kate does, Juliet pushes a button, activating the fence. Kate keeps running, but Juliet stands put. In the near distance, three distinct pillars of smoke combine and head directly for Juliet, stopping when they hit the fence. The smoke spreads out, then hastily retreats. Juliet+Kate+Smoke Monster: best Three's Company evah.
Kate's more than a little peeved that Juliet forgot to mention anything about the key, in addition to feigning ignorance about the monster. About the latter: they don't know what it is, but know it hates their fence. About the former: Juliet hoped that if Kate thought they were in it together, maybe she wouldn't get left behind again. Kate fumes, and walks back to the Barracks.
Sawyer stands proudly over his newly marinated boar. He tells Charlie to remember this meal at their meeting later on. Charlie's confusion makes Sawyer finally realize that Hurley's conned him all along. Hurley calmly states that such an exercise was necessary for Sawyer to be the de facto leader of the group. Sawyer doesn't want such a role; Hurley merely notes that Jack probably didn't want it either. Sawyer looks back upon the happy scene he's created thanks to Hurley's con, and gets a "eh, this ain't so bad, is it?" look across his face. But Sun's continuing distrust shows just how far he has left to go.
Back in New Otherton, Kate finds Jack passed out in his bungalow. She apologizes to Jack for keeping him on the Island. Jack seems more concerned with Juliet's well-being than Kate's apology, much to Kate's chagrin. He decides it's time to go back to Lostaway Camp. Outside, Sayid notes that there's nary a trail to be found; it's as if 50 people up and disappeared. Jack and Juliet make to leave, much to Sayid's concern. Jack insists that she's coming with them. Kate says, "Hey, that's my line!"
15) Off the Island
Kate's sportin' an Aston Kutcher-esque trucker hat as her car gets towed. Turns out she needs a new fan belt, and in Iowa? That takes three days. She tells the tow man her name is Lucy. Upon arriving at the nearest gas station, who should Kate run into but Cassidy, still pulling the same jewelry scam she did with Sawyer. The owner wants the tow truck driver to call the cops on her, but Kate steps in and buys a necklace. As the two men walk away, Cassidy and Kate re-exchange the money for the necklace. Cassidy quickly figures out that Kate helped her not out of a sense of girl power, but because she didn't want the cops there any more than Cassidy did.
In a nearby bar, Cassidy and Kate discuss life on the run. For some reason, Kate feels she can tell Cassidy the tale of her father's/step-father's demise. She asks Cassidy's help in seeing her mother, the reason she's in Iowa in the first place. Cassidy agrees, stating that she'd been recently conned by a "bad man" and that one of them deserves something good. (How about an "interesting flashback?" Don't we as an audience deserve that?)
Kate walks up to her mother's house. Upon opening the door, a half-dozen marshals descend upon her, including Edward Mars. We soon realize, along with Edward, that it's in fact Cassidy in disguise, and that she's merely sussing out the security by way of Bible salesmanship. Not bad. Not bad at all. She later returns to Kate's motel room later, convinced that their task is all but a suicide mission. Kate reveals that she is doing all this to understand why Kate's mother chose her psycho dead husband over her by turning Kate over to the police.
Cassidy is eating inside Kate's mother's diner. She intentionally spills her chili onto Diane, and when Diane goes to clean up, who should be inside but Kate? When confronted, Diane merely says that you can't help who you love. And Kate? Kate burnt that love to a crisp. She gives Kate a head start this time, but the next time she sees her daughter, she will alert the marshal. As Cassidy drops Kate off, she reveals that she's pregnant with Sawyer's baby. Kate suggests she call the cops to have him locked up, and finally tells Cassidy her real name.
16) The Mythology
So which came first: the smoke monster or the fence? That's the big question. It all depends on the origin of the monster. You can look at it one of two ways.
In the first, the monster came first. Thus, the Dharma Initiative constructed the pylons as Step 1 of their Island-based edifices, ensuring a safe build of New Otherton within its perimeters while providing for a safe environment for future denizens.
In the second, the fence came first. As such, the fence was initially designed to keep people in, not smoke monsters out. This is one of those "mind into matter" items: it's possible that something akin to an "incident" could have produced the monster in its current form, and if related to the fence, would have something approaching an adversarial relationship with it. Oil and water, as it were.
Let's look at Ben's hieroglyphic door for a potential answer. This is the door that he enters during the incursion of Keamy's Krew back in "The Shape of Things to Come." The fact that the monster arrives soon after his entrance through that door suggests that the Barracks were built over a pre-existing "holy land" for previous residents of the Island. So it seems pretty clear that what Danielle refers to as a "security system" predates the Dharma Initiative by quite a while. So, case closed, right?
Not so much. There's nothing to suggest that the smoke monster has always been a smoke monster. It might have been, but it's not a definite. So while the entity pre-exists the DI, the smoke monster might not have. So let's look at the other bit of mythological sexiness in this episode: the way in which the monster "flashed" on Juliet.
If you compare this to the way in which the monster "scanned" Eko back in Season 2, there's almost no comparison. Seemingly. However, perhaps the monster was merely going about the same task in different manners. In Eko's case, it was seemingly reading his mind, absorbing the salient facts of his life, then moving on. Perhaps he did the same thing with Juliet. So why didn't it flash on Eko?
Perhaps is as simple as this: it couldn't "see" Juliet, at least in a way useful. And what did the monster need to see? Juliet's eyes. This could explain every shot of eyes in the show: not only are they the window to the soul, but window to the mind as well. Juliet wasn't "on file" with the monster since Ben had kept her under lock and key since her arrival.
Now, I direct you all to the Season 3 promotional poster, as I have done so often in the past here. You can look at this as simply a representation on the massive amounts of data collected by the Others on the Lostaways. And prominent in all these photos? Peoples' eyes. So perhaps these photos come not from Mikhail's hard work, but Smokey's hard work. And this is the strongest case for the fence coming before the smoke monster: if the monster is a security system, and once functioned as an intelligence-gathering device on behalf of the DI, then what we have now is the result of some cataclysmic event in which something man-made interfered with the unique properties of the Island to form what we know today.
Debate below! There's no right or wrong, unless you opt to argue that the smoke monster is made of taco salad. Because that's a straight-up falsehood there.
23) The Moment
The monster clanging against the fence, with Juliet staring it down, rules all.
42) In Retrospect
I love the small scenes between Sawyer and Claire, if only as a way to contrast just how protective of her he later becomes. In many ways, this episode marks the start of the Sawyer we know now.
108) In Summary
Not even the lame flashback can stunt this phenomenal outing, which is essentially a two-person chamber play surrounded by smoke monsters and sonic fences. The interplay between Juliet and Kate is fantastic, with Hurley's con of Sawyer a worthy B-story that has long-lasting effects.
It's also the start of a PHENOMENAL run of episodes to end Season 3. Honestly, there's not a bad episode left. We've suffered through the slowness of Season 2, and made it through the early slog of Season 3: now's our reward, kids.
Leave your thoughts about this episode below!
Ryan also posts every 108 minutes over at Boob Tube Dude, then peruses Zap2It's Guide to Lost Facebook group. He also encourages you to join the all-new Zap2It's Guide to Lost Twitter feed. Pretty soon he'll have as many platforms as Ben has pieces of leftover chicken.

See, this is were I have a problem with Smokey and how it was used in the btrwrthing of Eko. I've got no problem with Security-Smokey or Data-collecting Smokey. That makes sense in this universe. Heck, even Ben's Avenging-Smokey makes sense. Where the writers gave themselves a little bit of problem was having Smokey become Eko's bro and then balls-out kill him. To me, it makes sense that Smokey is some sort of machine. A machine with purpose, mind you, but a mindless machine none the less. You add intelligence and malevolence into the mix and you have a whole different character. Mayhap I'm nitpicking but it kind of plays into all of the mysteries of the island and trying to make sense of them before the end of the series. That aside, this episode had me at cat-fight in cuffs. (Yes, I'm a pig, I know.)
And no, Googletron, I do NOT need to go on Rachael Ray's diet! Thank you.
Well, I still don't know if the fence came first or not.
*S3 EPISODE SPOILER*
Remember that in "Man Behind the Curtain" we see that the fence was already constructed by the time Ben and his dad arrived on the Island. This was in the early 1970's, and the DI itself was founded in 1970, so they came to the Island not long after it's inception.
If the fence was built not in relation to Smokey, then it was either to keep people in or to keep animals and certain Island natives out. But we also know that a sentient projection of Ben's mother appeared to him beyond the fence, and although it could just be the Island communicating, we've also seen a vision of Yemi that was either connected to the monster or just flat-out *was* the monster.
Anyway, what I also found interesting beyond the mythology in this episode was how it forshadowed things that (we ***ume) happen in the future:
1) Kate bonding with C***idy ties directly in with her "errand" for Sawyer and where she went on that night in the flashforward of "Something Nice Back Home"
2) Hurley trying to make Sawyer a better person and basically stating that in the absence of Jack, Kate and Sayid he would be the Lostaways leader, which most of us ***ume at this point is going to happen in Season 5.
I still say the smoke monster is made up of nanomachines and is controlled by an operator - whether that be Ben or Jacob or Turnip-head. A human operator brings human emotions into the mix, thus the inconsistent way it respects/kills some people.
So, is there any way we can launch a petition to get the latter part of Season 3 changed to be a part of Season 4? This would definitely mean Season 4 could be considered to be the best... season... ever.
p.s. mud-wrestling... yeah.
I'm from Iowa, OK? This episode will always stand out for me because of how outraged I was about that opening flashback sequence. Three days to get a fan belt? Give me an effing break! I think we always get the short end of the stick in Hollywood. Just look at "Sleeping With The Enemy," when the woman said "He works at the college in Cedar Falls." I've been to the University of Northern Iowa, and the town isn't full of dirt roads in the middle of campus. We're not a bunch of backwards-*** hicks stuck in the dust-bowl '30s. I can't think of a state that gets a worse fictional rap than us ... well, maybe Mississippi in "A Time To Kill" (so, they've never heard of air conditioning there?).
So, hey, "Lost," right? Awesome show. Love that smoke monster.
Oh come on, sambob - "Is this heaven? No, it's Iowa." One of the greatest lines for a state in any movie, ever. (Field of Dreams - great promotional flick for Iowa.)
I loved this episode of Lost. This episode really established Juliet as the bad*** to beat. Interesting how the 2 plots of this episode come down to Juliet and Sawyer switching gears/revealing themselves as players in the Lost game at a new level.
After Expose', I was edging closer to the "This stinkin' show's never gonna answer anything" club. Not that there have been NO answers, just that 99% of those answers seemed like self-contained mysteries that were designed to be posed and answered without really affecting the progress of the overall series story. Of course, having just gotten the lamest 'answer' episode out of the way may have made this seem more prevalent than usual. N & P were killed because their intro caused a little 'incident' among the fandom of Lost. It wasn't the great build to a shocking revalation, it was the obvious solution to a self-made problem. Sun finding out the truth behind S2's kidnapping could've been done anytime, anywhere. It's the closest I've come to asking "Is this show starting to fade?"
Of course, it is now Reason #217 why shows like this are usually movies or limited-series presentations. Imagine if Alex Haley had to make 'Roots' as a regular series? Kunta Kinte would have about 25 escape attempts becaue Haley wouldn't know how long he had to spin wheels before he could start driving home with the Chicken Georges and the Evan Brants. CC & DL have said many times that setting the series end in stone is what allows them to set a steady pace without needing 'filler' from time to time. No, every episode isn't 'The Walkabout' or 'The All-The-Timer' (working title from the internet, I hear it's gonna be a great one!). But we can probably rest ***ured that none of the eps to come will be SIASL or Expose'.
As for this episode, it feels like more wheels. A very good episode, but it was probably written right before the freedom date was set. I am slightly wary of why Kate and C***idy would instantly do so much for each other, but I've never been a con artist. Maybe quick reads and instant 'trust' are part of that world. Ever since first viewing, I've been waiting to see the Kate-Sawyer-C***idy loop closed. I knew they didn't just put those two together so we could say "Hey, wasn't she..." Kinda like Jack saving Sarah instead of Adam Rutherford, if Boone or Shannon were still alive (on the S5 Island, anyone could be alive, who knows?).
Present scenes great, as always. Have to admit, I never thought of Smokey as 'tied to the ground' until I read it here, but the fence scene seems to bear this out pretty clearly. I'm also thinking that if Kate took almost no time to figure out the way around the fence for humans, she's definitely not the first one. As for Juliet, I have NEVER regretted a 'Juliet' episode. The "You're Mine!!!" came close, but not quite. Love her wit, which seems to always be turned up to 11. And thanks to Ryan for the 'Morris Day and The Time' reference. Proof that all Prince touched in the 1980's didn't turn to gold.
Finally, Sawyer. I believe that this episode is huge in that it pushes 'Sawyer' closer to the edge of the cliff, and helps set up his 'death' at the end of the season. In order for 'Sawyer' to die, he first has to find his 'Real Sawyer' and whip out the letter of impending doom. The letter so important that when they made a Sawyer action figure, it didn't come with a gun, or fish biscuit, but a letter. Probably the only time in history that an action figure's accessory was a piece of paper (At least until they put out the Blade Runner 30th Anniv. Gaff figure). Hugo nudges 'Sawyer' along, and starts lifting up that corner of the sticker, revealing some 'James' underneath. His con helps James see the respect (faint, but yes, it's there) that the other Lostaways have for his potential leadership. Then he's visibly releaved when the rest of the 'leaders' return, saving his butt. Locke provides the catalyst a while later, and by the time Tom bleeds out, James is waving good-bye to his 'Sawyer' and looking forward with new eyes. He may not be Lost's first hero, but he's been on a long journey, and I think it started here, at least in earnest.
And conning someone into being nice is not the lamest con in the history of cons. It is the Hitler Diaries.
Oops, that 'releaved' should be a 'relieved'.
I do admit, Ryan, that you leave me scratching my head sometimes after some of your posts.
Sawyer and Hurley had a great B storyline? Are you kidding? It was HORRIBLE! It was the lamest thing I've ever seen, and the same is true of the four people who saw the episode with me when it aired. What was wrong with it? Everything. First, who of the survivors (especially Sun) would ever choose Sawyer as a defacto leader when he's proven time and time again that he's damn selfish and will put himself ahead of everyone else? He didn't even go after Kate, who he knows is risking her life. Heck, he didn't even go back for Jack who DID risk his life to save Sawyer. The fact that Sawyer in the LAST episodes FINALLY puts someone ahead of himself is a little "too little too late" for my tastes. No, I'm not a Sawyer hater, but the man has pretty much shown that he's a selfish bastard most of the time. Redeeming himself is going to take a heck of a lot more than jumping out of a helicopter. The other thing that's ridiculous is that Hurley is conning Sawyer. Isn't Sawyer suppose to be the conning expert? Didn't he live his entire life AS a conman? Yet Hurley can pull one over on Sawyer in a heartbeat? Either Sawyer is a horrible conman (and we know he's not), or the writing for that B plot was horrendous. Clearly, the answer is the latter based on the number of people I spoke with after that episode aired. Dumb.
The rest of your post, I can pretty much agree with. I thought the scenes with Kate and Juliet were great. I really like Juliet. It's also interesting to note that Juliet knew all those 7,000 facts about Jack because she read his file and not because he told her anything about himself.
I also felt that Smokey was taking "pictures" of Juliet in some fashion, but my question is why is he curious about her? Juliet's been on the island for more than three years. Surely, Smokey has seen her before and scanned her.
The episode was interesting also in the way Locke reacted to Kate. He didn't even really talk to her or let her explain anything. He REALLY p***ed judgment on her, which I found kind of surprising.
Lastly, Kate's Mom is just messed up, imo.
Overall, I thought it was a good episode - minus the horrific B plot, of course.
So, Samantha, since Sawyer didn't risk himself to save people in the past, it's "too little too late" to save the lives of 8 people on the helicopter?!
Refering to Samantha:
I think there are some characters in visual entertainment that people are more likely to love, and characters that people are more likely to hate. You can't find many people who have a bad thing to say about Harry Bailey (It's a Wonderful Life), and some idiot's racial problems aside, Cliff Huxtable is almost universally beloved by anyone who has the capacity to like even one thing Bill Cosby has done. Closer to 'Lost', the character of Stu Redman instantly cast a re***uring shadow, and he is beloved by most of the other characters, and by almost every regular reader of King's works. On Lost, those character slots are most closely filled by Hugo and Vincent.
Sawyer is definitely an acquired taste, and the first few episodes, I was hoping he'd be one of the 'orangeshirts' (redshirt that is introduced for a few scenes so his/her death has more impact). That's before I realized that this was a different TV show, and none of the main characters would fit convenient stereotypes. Sawyer is top-5 on my character list, not the 'nicest', but the most important, and the most interesting. For me, personally, Jack is necessary, and definitely important, but I find him mostly uninteresting, and after the 10-minute shock, I wouldn't be that bothered if he died before series end. It's a matter of preference. I understand Sawyer isn't your cup of tea, or your friends. It makes him personally uninteresting, but not globally. Every person that lives and dies with Jack's mood feels a way that I can't replicate, but I can understand.
Stepping back, and trying to shed my preferences for a moment, it's really hard to look at Sawyer's actions from Expose through No Place Like Home Pt. 3 without seeing a clear migration away from selfishness, away from contempt, and towards comp***ion, even towards courage and heroism. His journey is not even close to done, and becoming a better person doesn't mean that he never 'slips', but I believe that his 'journey', while subordinate to the main conflict, is almost as important to the bottom line.
Now, if he kills Daniel and Charlotte first chance, I stand corrected.